Thomas Wahl: Re-imagining humanness. Popular science narratives of AI futures
Episode von RMZ Science Works von Robert K. Merton Zentrum für Wissenschaftsforschung · 26. November 2024 · 28 min
In the case of artificial intelligence, hyperbolic predictions of the emergence of intelligent machines, even ‘super intelligences’, consist of both dystopian fears of human suppression and extinction, and utopian hopes of human flourishing through freedom from labor and illness as well as unparalleled economic growth and prosperity. At the heart of the controversies between these two, we argue, are emergent and conflicting assumptions about what it means to be human, or rather, what defines humanness.
To address this topic, of how the understanding of humaness is constructed in relation to AI and how the (future) agency of AI and Humans are imagined, we turn to the genre of popular science and the imaginaries of the possibilities and effects of a future in which intelligent machines have bypassed many human capacities. Popular science as a genre is interesting in its ambition to translate inter-academic knowledge production about AI development while at the same time dramatizing it and making it relevant for business, politics, and the public.
First, the chapter deconstructs the imaginaries of a future shaped by super intelligent AIs and discusses how this imagined future builds on particular and narrow definitions of humanness - as essentially biological cognitive processors, but also as distinguishable as creative/non-creative and neuro-typical and neuro-diverse/passive and active. Secondly, we turn to the construction of AI as a “floating signifier” an object, a thing, that is devoid of meaning.
This paper is accepted as a chapter to the upcoming Routledge book: The inner World of Artificial Intelligence, and the section “Hidden and Subsumed Humans in Artificial Intelligence.
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